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[[File:Continental Standard typewriter keyboard - key detail.jpg|thumb|upright| Butonat janë të organizuar në kolona diagonale, për të dhënë hapësirë për levat.]] |
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{{Gjuha shqipe}} |
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'''QWERTY''' është një plan i tastierës për shkrimin Latin. Emri vjen nga leximi gjashtë [[Tastiera kompjuterike|shkronjave]] të para që paraqiten lartë në të majtë në rreshtin e shkronjave ({{keypress|Q}} {{keypress|W}} {{keypress|E}} {{keypress|R}} {{keypress|T}} {{keypress|Y}}) nga e majta në të djathtë. Dizajni QWERTY bazohet në një plan të krijuar për [[Makinën e shkrimit Sholes dhe Glidden]] dhe ti shitej [[E. Remington and Sons|Remington]] në vitin 1873. Ajo u bë e famshme me suksesin e Remington No. 2 në vitin 1878, dhe mbetet në përdorim edhe sot në tastierat elektronike për shkak të inercisë, vështirësisë së të mësuarit të një dizajni që është i ndryshëm nga standardi tashmë i ngulitur, efekti i rrjetit të një dizajni standard, dhe pretendimi nga disa se alternativat e këtij dizajni nuk arrijnë të sigurojnë avantazh të rëndësishme.<ref name="fable" >{{citation |journal=Journal of Law and Economics |last1=Liebowitz |first1=Stan |last2=Margolis |first2=Stephen E. |title=The Fable of the Keys |year=1990 |volume=33 |issue=1 |pages=1–26 |doi=10.1086/467198 }}</ref> |
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[[Skeda:QWERTY keyboard.jpg|thumb|250px|A QWERTY keyboard on a [[laptop computer]]]] |
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'''QWERTY''' ({{IPAc-en|icon|ˈ|k|w|ɜr|t|i}}) është tasjera me renditjen më të përhapur në vendet që përdorin alfabete me origjine latine (veçan·erisht në vendet anglisht-folëse). Emrat vijnë nga gjashtë shkronjat e para radhitur në rreshtin e sipërm të tasjerës, nga e majta në të djathtë: Q-W-E-R-T-Y. Dizajni QWERTY është bazuar në atë të krijuar për makinat e shkrimit “Sholes wetp;///56767Yjkr*@7#^^"♡`》~¿♥¤`》》~》~》~》》~《~~₩£》£₩¥《》《¿《》《》¿《》¿¿·÷\[[{%{\÷\÷\÷÷|hhhgdghHshshdghdhfd |
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==Referencat== |
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{{Reflist|30em}} |
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dhe Glidden” dhe iu shitën Remington në të njëjtin vit në të cilin u shfaqën në makinat e shkrimit. Kjo u përhap me suksesin e Remington No. 2 të vitit 1878 dhe mbeti në përdorim në tasjerat elektronike, si rrjedhojë e efektit të rrjetit dhe besimit se alternativat nuk ofronin avantazhe të mjaftueshme.<ref name="fable"/> Përdorimi dhe adoptimi i tasjerës QWERTY shihet shpesh si një nga rastet e studimit më të rëndësishme të një standardi të hapur, për shkak të përhapjes, përshtatjes kolektive dhe përdorimit te produktit, veçanërisht në Shtetet e Bashkuara.<ref>{{cite web|url=http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1656616 |title=Casson and Ryan, Open Standards, Open Source Adoption in the Public Sector, and Their Relationship to Microsoft’s Market Dominance |publisher=Papers.ssrn.com |date= |accessdate=2011-01-31}}</ref> |
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== Historia dhe qëllimet == |
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[[Skeda:Continental Standard typewriter keyboard - key detail.jpg|thumb|upright|Keys are arranged on diagonal columns, to give space for the levers.]] |
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{{Main|Makina e shkrimit Sholes dhe Glidden}} |
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Ky layout u shpik dhe u krijua në fillimet e viteve 1870s nga [[Christopher Latham Sholes]], një botues dhe shtypshkrues [[gazete]] që jetonte në [[Milwaukee]]. Me ndihmen e miqve të të tij [[Carlos Glidden]] dhe [[Samuel W. Soule]] ai ndërtoi një makinë të hershme me shkrim për të cilat një aplikimi për patentim është paraqitur në tetor 1867.<ref name="USPatent79868">{{Citation |
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| inventor-last =Sholes | inventor-first =C. Latham | inventorlink = C. Latham Sholes |
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| inventor2-last =Glidden | inventor2-first =Carlos | inventorlink2 =Carlos Glidden |
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| inventor3-last =Soule | inventor3-first =Samuel W. | inventorlink3 = Samuel W. Soule |
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| issue-date = July 14, 1868 |
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| title = Improvement in Type-writing Machines |
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| country-code =US |
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| patent-number = 79868 |
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}}</ref> |
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Modeli i parë i ndërtuar nga Sholes përdori një keyboard, pra një tasiere si pjano me dy rradhë karakteresh të radhitura në menyre alfabetike si më poshtë:<ref name="USPatent79868" /> |
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{{quotation|<tt>- 3 5 7 9 N O P Q R S T U V W X Y Z<br /> 2 4 6 8 . A B C D E F G H I J K L M</tt>}} |
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Ndërtimi i "Makinës së shkrimit" kishte dy karakteristika që e bënë bllokimin problem serioz: karakteret ishin montuar mbi krahë metalike ose typebars, të cilt përplaseshin dhe bllokonin njëra-tjetrën kur shtypeshin njëkohësisht apo brenda intervalesh kohore të shkurtëra.<ref name="why" >{{citation |
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|title=Why QWERTY was Invented |
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|url=http://home.earthlink.net/~dcrehr/whyqwert.html |
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|first=Darryl |
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|last=Rehr |
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|archiveurl=https://archive.is/jKLk|archivedate=2012-05-23}}</ref> Së dyti, pika e shtypjes ndodhej nën pikë-mbështetjes së letrës, jashtë kontrollit të përdoruesit. Rrjedhimisht, bllokimet ishin veçanërisht të rëndësishme, pasi radhitësi e zbulonte vetëm pasi ngrente mbështetjen dhe shikonte se ç'kishte shkruar. Zgjidhja qe larg typebars të shkronjave që paraqiteshin shpesh bashkë (si th dhe sh). Një legjendë e përhapur rrëfen se tastiera QëERTY u projektua për të ngadalësuar radhitësit; megjthatë kjo nuk është e saktë. Ajo u projektua për të shmangur bllokimet gjatë shkrimit<ref name="why" /> , gjë që u mundësonte radhitësve të shkruanin ''më shpejt''.<ref>{{cite web |
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|url= http://home.earthlink.net/~dcrehr/whyqwert.html |
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|title= Consider QWERTY |
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|accessdate= 12 December 2011 |
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|author= Rehr, Darryl |
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|quote= QWERTY's effect, by reducing those annoying clashes, was to speed up typing rather than slow it down. |
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|archiveurl=https://archive.is/jKLk|archivedate=23 May 2012}} |
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</ref> |
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Sholes struggled for the next five years to perfect his invention, making many trial-and-error rearrangements of the original machine's alphabetical key arrangement. His study of [[bigram frequency|letter-pair frequency]] by educator Amos Densmore, brother of the financial backer [[James Densmore]], is believed to have influenced the arrangement of letters, but called in question.<ref>Koichi Yasuoka: [http://yasuoka.blogspot.com/2006/08/sholes-discovered-that-many-english.html The Truth of QWERTY], entry dated August 01, 2006.</ref> |
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Ne nentor te 1868 ai ndryshoi renditjen e pjesës fundore të alfabetit nga O në Z, nga e djathta në të majtë.<ref>Koichi and Motoko Yasuoka: Myth of QWERTY Keyboard, Tokyo: NTT Publishing, 2008. [http://books.google.com/books?id=tEsAMggMKoMC&pg=PA8 pp.12-20]</ref> Në prillin e vitit 1870 e shndërroi në një tastjerë me 4 rreshta gërmash të mëdha, duke iu afruar standardit modern QWERTY me zhvendosjen e zanoreve A, E, I, O, U, dhe Y në rreshtn e sipërm, si më poshtë:<ref>Koichi and Motoko Yasuoka: Myth of QWERTY Keyboard, Tokyo: NTT Publishing, 2008. [http://books.google.com/books?id=tEsAMggMKoMC&pg=PA20 pp.24-25]</ref> |
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{{quotation| 1 2 3 4 5 6 7 8 9 -<br /> A E I . ? Y U O ,<br />B C D F G H J K L M<br />Z X W V T S R Q P N}} |
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Ne 1873 Sholes's backer, James Densmore, succeeded in selling manufacturing rights for the Sholes & Glidden Type-Writer to [[E. Remington and Sons]], and within a few months the keyboard layout was finalized by Remington's mechanics. The keyboard ultimately presented to Remington was arranged as follows:<ref name="Yasuoka2011">Koichi and Motoko Yasuoka: [http://kanji.zinbun.kyoto-u.ac.jp/~yasuoka/publications/PreQWERTY.html On the Prehistory of QWERTY], ZINBUN, No.42, pp.161-174, 2011.</ref> |
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{{quotation| 1 2 3 4 5 6 7 8 9 - ,<br />Q W E . T Y I U O P<br />Z S D F G H J K L M<br />A X & C V B N ? ; R}} |
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After it purchased the device, Remington made several adjustments which created a keyboard with what is essentially the modern QWERTY layout. Their adjustments included placing the "R" key in the place previously allotted to the period key (this has been claimed to be done with the purpose of enabling salesmen to impress customers by pecking out the brand name "TYPE WRITER" from one keyboard row but this claim is unsubstantiated<ref name="Yasuoka2011" />). Vestiges of the original alphabetical layout remained in the "[[home row]]" sequence DFGHJKL.<ref name="david" >{{citation |last=David |first=Paul A. |title=Clio and the Economics of QWERTY |journal=[[American Economic Review]] |volume=75 |issue=2 |pages=332–337 |year=1985 |doi= |publisher=American Economic Association|jstor=1805621 }}</ref> |
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The QWERTY layout became popular with the success of the Remington No. 2 of 1878, the first typewriter to include both upper and lower case letters, via a [[shift key]]. |
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Much less commented-on than the order of the keys is that the keys are not on a grid, but rather that each column slants diagonally; this is because of the mechanical linkages – each key being attached to a lever, and hence the offset prevents the levers from running into each other – and has been retained in most electronic keyboards. Some keyboards, such as the [[Kinesis (keyboard)|Kinesis]], retain the QWERTY layout but arrange the keys in vertical columns, to reduce unnecessary lateral finger motion.<ref>[http://www.kinesis-ergo.com/benefits.htm Kinesis – Ergonomic Benefits of the Contoured Keyboard] – Vertical key layout</ref> |
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=== Diferencat e layouteve moderne === |
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==== Karakteret zëvendësuese ==== |
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[[Skeda:QWERTY 1878.png|thumb|right|Latham Sholes's 1878 QWERTY keyboard layout]]The QWERTY layout depicted in Sholes's 1878 patent includes a few differences from the modern layout, most notably in the absence of the numerals 0 and 1, with each of the remaining numerals shifted one position to the left of their modern counterparts. The letter M is located at the end of the third row to the right of the letter L rather than on the fourth row to the right of the N, the letters X and C are reversed, and most [[Punctuation|punctuation marks]] are in different positions or are missing entirely.<ref name="patent">{{Citation |
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| inventor-last = Sholes |
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| inventor-first = Christopher Latham |
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| issue-date = August 27, 1878 |
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| title = |
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| country-code = US |
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| description = |
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| patent-number = 207559 |
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}}</ref> 0 and 1 were omitted to simplify the design and reduce the manufacturing and maintenance costs; they were chosen specifically because they were "redundant" and could be recreated using other keys. Typists who learned on these machines learned the habit of using the uppercase letter [[I]] (or lowercase letter [[L]]) for the digit one, and the uppercase [[O]] for the zero.<ref name="Weller" >{{Citation |
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| last = Weller| first = Charles Edward |
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| year = 1918 |
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| url = http://www.archive.org/details/earlyhistorytyp00wellgoog |
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|title=The early history of the typewriter |
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| place = La Porte, Indiana| publisher = Chase & Shepard, printers |
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}}</ref> |
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==== Karakteret e kombinura ==== |
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In early designs, some characters were produced by printing two symbols with the [[typewriter carriage|carriage]] in the same position. For instance, the [[Exclamation mark|exclamation point]], which shares a key with the numeral 1 on modern keyboards, could be reproduced by using a three-stroke combination of an apostrophe, a backspace, and a period. A semicolon (;) was produced by printing a comma (,) over a colon (:). As the backspace key is slow in simple mechanical typewriters (the carriage was heavy and optimized to move in the opposite direction), a more professional approach was to block the carriage by pressing and holding the space bar while printing all characters that needed to be in a shared position. To make this possible, the carriage was designed to advance forward only after releasing the space bar. |
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The 0 key was added and standardized in its modern position early in the history of the typewriter, but the 1 and exclamation point were left off some typewriter keyboards into the 1970s.<ref>See for example the [http://www.mrmartinweb.com/type.htm#olivetti Olivetti Lettera 36], introduced in 1972</ref> |
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=== Alternativat bashkëkohore === |
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There was no particular technological requirement for the QWERTY layout,<ref name="Yasuoka2011" /> since at the time there were ways to make a typewriter without the "up-stroke" typebar mechanism that had required it to be devised. Not only were there rival machines with "down-stroke" and "frontstroke" positions that gave a visible printing point, the problem of typebar clashes could be circumvented completely: examples include [[Thomas Edison]]'s 1872 electric print-wheel device which later became the basis for [[Teleprinter|Teletype]] machines; [[Lucien Stephen Crandall]]'s typewriter (the second to come onto the American market) whose type was arranged on a cylindrical sleeve; the Hammond typewriter of 1887 which used a semi-circular "type-shuttle" of hardened rubber (later light metal); and the [[Blickensderfer typewriter]] of 1893 which used a type wheel. The early Blickensderfer's "Ideal" keyboard was also non-QWERTY, instead having the sequence "DHIATENSOR" in the [[home row]], these 10 letters being capable of composing 70% of the words in the English language.<ref>{{cite book|last=Shermer|first=Michael|title=The mind of the market|year=2008|publisher=Macmillan|isbn=0805078320|page=50}}</ref> |
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== Vetitë == |
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Alternating hands while typing is a desirable trait in a keyboard design, since while one hand is typing a letter, the other hand can get in position to type the next letter. Thus, a typist may fall into a steady rhythm and type quickly. However, when a string of letters is done with the same hand, the chances of stuttering are increased and a rhythm can be broken, thus decreasing speed and increasing errors and fatigue. In the QWERTY layout many more words can be spelled using only the left hand than the right hand. In fact, thousands of English words can be spelled using only the left hand, while only a couple of hundred words can be typed using only the right hand. In addition, most typing strokes are done with the left hand in the QWERTY layout. This is helpful for [[left-handed]] people but to the disadvantage of [[right-handed]] people.<ref name=Diamond >{{Citation |
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| last = Diamond | first = Jared | authorlink = Jared Diamond |
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| title = The Curse of QWERTY |
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| journal = [[Discover (magazine)|Discover]] |
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| date = April 1997 |
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| url = http://discovermagazine.com/1997/apr/thecurseofqwerty1099/ |
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| accessdate = 2009-04-29 |
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| quote=More than 3,000 English words utilize QWERTY's left hand alone, and about 300 the right hand alone. |
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| postscript = . |
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}}</ref> |
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== Efektet == |
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People tend to give slightly more negative connotations to words that are typed with the left hand on the QWERTY keyboard, including its variants in several languages.<ref>{{cite news|url=http://www.economist.com/blogs/johnson/2012/03/keyboards-and-vocabulary?fsrc=scn/fb/wl/bl/huntingfortherightwords|accessdate=14 March 2012|title=Keyboards and vocabulary: Hunting for the right words | The Economist|work=[[The Economist]]}}</ref> <!--See [http://languagelog.ldc.upenn.edu/nll/?p=3829], [http://languagelog.ldc.upenn.edu/nll/?p=3837],[http://languagelog.ldc.upenn.edu/nll/?p=3844], and [http://languagelog.ldc.upenn.edu/nll/?p=3848] for discussion of this study, much of it strongly critical.--> |
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== Tasjerat e kompiuterave == |
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[[Skeda:Qwerty.svg|thumb|The standard QWERTY keyboard layout used in the US. Some countries, such as the UK and Canada, use a slightly different QWERTY (the @ and " are switched in the UK); see [[keyboard layout]].]] |
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Terminalet e para, si Teletype, ishin makina shkrimi që mund të vepronin dhe të kontrolloheshin nga kode të ndryshme kompjuterike. Këto përdornin modelin QWERTY, me shtesa si tasti [[Esc key|escape]] (ESC), që kishin kuptime të veçanta për kompjuterat. Tastierat e mëvonshme shtuan [[function key|tastet e funksioneve]] dhe ato të [[arrow keys|shigjetave]]. Pas standardizimit të kompjuterave dhe Windows nw vitet '80, shumica ka ndjekur këtë format (shih skemën djathtas). Ky, djathtas, ka një grup të veçuar të [[numeric keypad|numrave]] për ''data entry'', 12 taste funksionesh në pjesën e sipërme dhe grupin e zhvendosjes së kursorit me tastet [[Insert key|Insert]], [[Delete key|Delete]], [[Home key|Home]], [[End key|End]], [[Page Up and Page Down keys|Page Up, Page Down]], katër shigjetat poshtë në formë T-jë të përmbysur. |
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== Shenjat diakritike dhe karakteret ndërkombëtare == |
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Sisteme operative të ndryshme kanë metoda hyrje (input) të gjuhëve si kinezçe, hebraisht, greqisht apo arabisht. QWERTY lind në funksion të [[Gjuha angleze|gjuhës angleze]], pa [[diacritic|shenja diakritike]], ndaj shpesh lindin probleme kur nevojiten thekset. Deri më sot nuk ekziston asnjë normë ndërkombëtare për të shkruar shkronjat me thekse apo shenja të tjera diakritike dhe "tastiera amerikane" është e pavarur nga sistemi operativ. |
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Sipas [[sistemi operativ|sistemit operativ]] apo edhe [[application program|aplikacionit]] në përdorim, ka një mori mënyrash për të gjeneruar këto karaktere. |
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=== Layout i zgjeruar i BM === |
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[[Microsoft Windows XP]] SP2 and above provide the UK-Extended layout that behaves exactly the same as the standard UK layout for all the characters it can generate, but can additionally generate a number of [[diacritic|diacritical marks]], useful when working with text in other languages (including [[Welsh language|Welsh]] - a UK language). Not all combinations work on all keyboards. |
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* [[acute accent]]s (e.g. á) on a,e,i,o,u,w,y,A,E,I,O,U,W,Y are generated by pressing the [[AltGr key]] together with the letter, or AltGr and apostrophe, followed by the letter (see note below); |
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* [[grave accent]]s (e.g. è) on a,e,i,o,u,w,y,A,E,I,O,U,W,Y are generated by pressing the backquote (`) [which is now a [[dead key]]], then the letter; |
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* [[circumflex]] (e.g. â) on a,e,i,o,u,w,y,A,E,I,O,U,W,Y is generated by AltGr and 6, followed by the letter; |
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* [[diaeresis (diacritic)|diaeresis or umlaut]] (e.g. ö) on a,e,i,o,u,w,y,A,E,I,O,U,W,Y is generated by AltGr and 2, then the letter; |
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* [[tilde]] (e.g. ã) on a,n,o,A,N,O is generated by AltGr and #, then the letter; |
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* [[cedilla]] (e.g. ç) under c,C is generated by AltGr and the letter. |
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These combinations are designed to be easy to remember, as the circumflex accent (e.g. â) is similar to a caret (^), printed above the 6 key; the diaeresis (e.g. ö) is similar to the double-quote (") above 2 on the UK keyboard; the tilde (~) is printed on the same key as the #. |
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Like US-International, UK-Extended does not cater for many languages written with Latin characters, including Romanian and Turkish, or any using different [[Character encoding|character sets]] such as Greek and Russian. |
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Notes: |
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* The AltGr and letter method used for acutes and cedillas does not work for applications which assign shortcut menu functions to these key combinations. For acute accents the AltGr and apostrophe method should be used. |
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=== Tasta dhe karaktere të tjera === |
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{{Main|Alt code}} |
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{{Main|Compose key}} |
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{{Main|Option key}} |
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=== Llojet ndërkombëtare === |
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{{Main|Keyboard layout#QWERTY based layouts for Latin script}} |
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Minor changes to the arrangement are made for other languages. |
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== Alternativa të QWERTY == |
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{{See also|Dvorak Simplified Keyboard|Keyboard layout#Non-QWERTY keyboards for Latin scripts}} |
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Several alternatives to QWERTY have been developed over the years, claimed by their designers and users to be more efficient, intuitive and ergonomic. Nevertheless, none has seen widespread adoption, due partly to the sheer dominance of available keyboards and training.<ref>Gould, Stephen Jay (1987) [http://books.google.com/books?id=pzj90slTTEIC&pg=PA59 "The Panda's Thumb of Technology."] ''[[Natural History (magazine)|Natural History]]'' 96 (1): 14-23; Reprinted in ''[[Bully for Brontosaurus]]''. New York: W.W. Norton. 1992, pp. 59-75.</ref> Although studies have shown the superiority in typing speed afforded by alternative keyboard layouts<ref>Paul David, "Understanding the economics of QWERTY: the necessity of history", ''Economic history and the modern economist'', 1986</ref> economists Stan Liebowitz and Stephen E Margolis have claimed that these studies are flawed and more rigorous studies are inconclusive as to whether they actually offer any real benefits.<ref name="fable" >{{citation |journal=Journal of Law and Economics |last1=Liebowitz |first1=Stan |last2=Margolis |first2=Stephen E. |title=The Fable of the Keys |year=1990 |volume=33 |issue=1 |pages=1–26 |doi=10.1086/467198 }}</ref> The most widely used such alternative is the [[Dvorak Simplified Keyboard]]; another increasingly popular alternative is [[Colemak]], which is based partly on QWERTY and is therefore easier for an existing QWERTY typist to learn while offering several optimisations.<ref name="colemak-carpalx">{{cite web |
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|url=http://mkweb.bcgsc.ca/carpalx/?colemak |
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|title=Colemak - Popular Alternative |
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|author=Krzywinski, Martin |
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|date= |
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|work=Carpalx - keyboard layout optimizer |
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|publisher=Canada's Michael Smith Genome Sciences Centre |
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|accessdate=2010-02-04}}</ref> Most modern computer operating systems support this and other alternative mappings with appropriate special mode settings, but few keyboards are manufactured with keys labeled according to this standard. |
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== Gjysëm QWERTY == |
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[[Skeda:Nokia E55 01.jpg|thumb|right|The [[Nokia E55]] uses a half QWERTY keyboard layout.]] |
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A half QWERTY keyboard is a combination of an alpha-numeric keypad and a QWERTY keypad, designed for [[mobile phones]].<ref name="gsmarena.com">{{cite web|url=http://www.gsmarena.com/glossary.php3?term=half-qwerty-keyboard |title=Half-QWERTY keyboard layout - Mobile terms glossary |publisher=GSMArena.com |date= |accessdate=2011-01-31}}</ref> In a half QWERTY keyboard, two characters share the same key, which reduces the number of keys and increases the [[surface area]] of each key, useful for mobile phones that have little space for keys.<ref name="gsmarena.com"/> It means that 'Q' and 'W' will share the same key and the user has to press the key once to type 'Q' and twice to type 'W'. |
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=== QWERTY i zhvendosur === |
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Also designed for mobile devices, the displaced QWERTY layout allows for the increase of button area by over 40% while keeping the same [[Candybar phone|candybar]] form factor. Entering, spacing and deleting are handled by gestures over the text area, reducing the keyboard's screen footprint. The layout is essentially a rearrangement of keys on the right half of the keyboard under those on the left and, as such, should present a gentler learning curve to touch typists. It was first seen on the iPhone application "LittlePad". {{Citation needed|date=June 2011}} |
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== Shih edhe == |
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{{Portal|Computer Science}} |
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*[[AZERTY]] |
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*[[QWERTZ]] |
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*[[HCESAR]] |
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*[[Dvorak Simplified Keyboard]] |
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*[[Colemak Keyboard]] |
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*[[Maltron keyboard]] |
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*[[Path dependence]] |
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*[[Repetitive strain injury]] |
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*[[Text entry interface]] |
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*[[Touch typing]] |
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*[[Velotype]] |
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*[[Arrow keys#Other cursor movement keys|WASD]] |
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*[[Keyboard monument]] |
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== Referenca == |
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{{Reflist|colwidth=30em}} |
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== Lidhje të jashtme == |
== Lidhje të jashtme == |
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{{Commonscat|QWERTY keyboard layouts|QWERTY}} |
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*[http://eh.net/encyclopedia/article/puffert.path.dependence Article on QWERTY and Path Dependence from EH.NET's Encyclopedia] |
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* [http://eh.net/encyclopedia/article/puffert.path.dependence Article on QWERTY and Path Dependence from EH.NET's Encyclopedia] |
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*[http://www.ideafinder.com/history/inventions/qwerty.htm QWERTY Keyboard History] |
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*[http://www. |
* [http://www.ideafinder.com/history/inventions/qwerty.htm QWERTY Keyboard History] |
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* [http://www.bakwaash.com/2011/07/05/mobile-phone-termonologies/ QWERTY Keyboard in Mobiles] |
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* [http://merelinc.com/art-and-design/qwerty-android-phones-amazing-buttons/ Android phones with QWERTY keyboards] |
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{{Keyboard layouts}} |
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* [http://atulhost.com/why-keyboards-are-in-qwerty-format Real History of QWERTY Layout and Why AZERTY Failed] |
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{{DEFAULTSORT:Qwerty}} |
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[[Kategoria:Computer keyboards]] |
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[[Kategoria:Keyboard layouts]] |
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[[Kategoria:Typewriters]] |
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[[Kategoria:American inventions]] |
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[[it:Tastiera (informatica)#QWERTY]] |
Versioni i datës 29 prill 2016 19:35
QWERTY është një plan i tastierës për shkrimin Latin. Emri vjen nga leximi gjashtë shkronjave të para që paraqiten lartë në të majtë në rreshtin e shkronjave (Q W E R T Y) nga e majta në të djathtë. Dizajni QWERTY bazohet në një plan të krijuar për Makinën e shkrimit Sholes dhe Glidden dhe ti shitej Remington në vitin 1873. Ajo u bë e famshme me suksesin e Remington No. 2 në vitin 1878, dhe mbetet në përdorim edhe sot në tastierat elektronike për shkak të inercisë, vështirësisë së të mësuarit të një dizajni që është i ndryshëm nga standardi tashmë i ngulitur, efekti i rrjetit të një dizajni standard, dhe pretendimi nga disa se alternativat e këtij dizajni nuk arrijnë të sigurojnë avantazh të rëndësishme.[1]
Referencat
- ^ Liebowitz, Stan; Margolis, Stephen E. (1990), "The Fable of the Keys", Journal of Law and Economics, 33 (1): 1–26, doi:10.1086/467198
{{citation}}
: Mungon ose është bosh parametri|language=
(Ndihmë!)
Lidhje të jashtme
Commons: QWERTY – Album me fotografi dhe/apo video dhe materiale multimediale